Ebook Ocean of Sound, by David Toop
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Ocean of Sound, by David Toop
Ebook Ocean of Sound, by David Toop
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About the Author
David Toop is a highly regarded author, music critic and musician. Since 1995 he has released three solo albums, curated five compilation albums (including the soundtrack to Ocean of Sound), and the sound and music exhibition at the Hayward Gallery - 'Sonic Boom'. His music journalism appears in The Wire, Village Voice, The Times and The Face.
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Product details
Series: A Five Star Title
Paperback: 320 pages
Publisher: Serpent's Tail; 0005- edition (June 1, 2001)
Language: English
ISBN-10: 1852427434
ISBN-13: 978-1852427436
Product Dimensions:
5 x 0.8 x 7.7 inches
Shipping Weight: 7.8 ounces (View shipping rates and policies)
Average Customer Review:
3.8 out of 5 stars
10 customer reviews
Amazon Best Sellers Rank:
#656,534 in Books (See Top 100 in Books)
I love David Toop and any work he's involved in. From music to academic writing, this guy knows his stuff. He's very well versed in music and has done his research thoroughly you can tell.. He has a unique way of explaining sound and its magic, definitely grab any books he's written on the subject of sound.
Nice overview of music that falls thru thecracks-great chapter on the Ambient scene inEngland in the nineties.
David Toop is both a musician and writer, having done ambient music, dub music with the likes of Prince Far I, and of course numerous written articles on ambient and experimental aspects of popular music. I'd have to say that this book is perhaps one of the definitive studies on this musical genre, covering the aesthetics, listening practica, concepts, influences, directions, and so on of this growing musical field in a very inclusive and insightful style. This is perhaps one of the best written companions to everything ambient, as well as influences on ambient music from as far afield as Sun Ra and Karlheinz Stockhausen. Anyone interested in knowing more...either in scope, or deeper within...on ambient should obtain a copy of this book.
As an eager but somewhat overwhelmed newcomer to the world of ambient music, I've found this overview to be informative & invaluable. It's constructed like many ambient pieces: layers of information & exotica that overlap, shade into one another, and in many ways recreate in prose the experience of the music. Yet at the same time, there's a clarity & focus to the writing, which becomes apparent as the reader flows from one topic to the next. By the end, I'd not only gained some real knowledge & understanding, I'd been given some excellent starting points for further exploration. An exemplary volume, highly recommended!
Incredible in many ways, Toop's book attempts to trace a quiet revolution in twentieth century music. One cannot deny the impressive breadth of his knowledge, from Stockhausen to Miles all the way to Future Sound of London and their ilk. His writing is quite often beautiful, if occasionally one feels like he is writing too many words to actually say anything.Ultimately, however, I leave the book feeling a bit underwhelmed. Ironically, it is the book's very eclecticism that works against it. I personally did not see the connectionsbetween, say, the music of Kraftwerk and Toop's (admittedly fascinating) discussion of the sound of the Amazon jungle. These disgressions ultimately make the book useless as a survey. Of course, I doubt that it was meant to be so, but Toop fails to make the kinds of connections that have given books by Greil Marcus and others a fascinating unity.Perhaps, though, this is the point. Much like the ambient music that serves as the centerpoint of the book, this book simply floats by, not asking you to make any conclusions. It is probably best read in bits, before bed or in the bathroom, where the individual moments of brilliance can be better appreciated. Very ambient, indeed.
If you like ambient, or....atmospheric music of any sort you should give this book a chance as it a nice erudite survey of the various genres and musicians that are linked to..or been influenced by ambient music. It is not a linear survey thru time, but rather this book reminds me of a map which Toop rolls around visiting here and there with a few jumps now and then as he discusses how in the last 100 years "music has reflected the world back to itself and to its listeners". The writing is enjoyable, and full of poetry, such that I kept finding myself underlining odd bits and pieces every few pages and I wound up compiling them for myself for future reference. There is also a nice bibliography and discography at the end of the book.
I love to read about music, but there are so few good music writers it seems. This book approaches the development of incidental, ambient, experimental, avant garde, and world musics in a way that mimics the music itself - with random bursts of observations, anecdotes, interviews, and just plain bizarre missives. I encourage anyone with a sense of adventure and an open mind to grab a copy.There is a similarly-titled double CD which came out to accompany the book, but I can't see it on Amazon. It is as eclectic as the book and features a lot of the artists interviewed and mentioned - Sun Ra, Aphex Twin, and others. I have played the CD to death and would recommend it. You gotta respect a compilation that puts The Beach Boys right next to African Headcharge, or My Bloody Valentine next to Brian Eno - and makes it work so well.The book also features a list of albums and artists in the appendix, which I found useful as a way of doing further research.Another book in a similar vein is Kodwo Eshun's "More Brilliant Than The Sun", though it focuses solely on the innovators in electronic music.
This is an amazing document on the sonic explorations of the last 100 years, from improv classical to backwords dub lines to the tweak tweak nob movements of our techno, this book is brought with a fun if not intoxicating writing style. the ending of this book is getting even better with jungle sounds (the nature not the genre)
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